Welsh Artist Kevin Sinnott rose to fame for his painting Running Away with the Hairdresser
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Acclaimed Welsh artist Kevin Sinnott dies aged 78BBC Culture
As his 12th feature film, I Want Your Sex, hits theaters, the cult gay film-maker is as fired up as ever Is straight sex the most perverse sex of all? Gregg Araki’s new film makes a convincing case. Titled I Want Your Sex, the movie is a deliriously fun and often hilarious study of desire, power and art that features bondage, full-frontal and a vagina made out of pink chewed-up bubble gum. “For me, it is a very queer story,” the director says, speaking the week of the film’s release in a video call from his Los Angeles home. “It’s a take on kink and alternate sexuality that goes right across the straight-queer spectrum.” While it is not the first heterosexual movie by Gregg Araki – that honor goes to his 1995 acid trip of a road movie The Doom Generation – it features the new queer cinema pioneer’s starriest cast in years, perhaps in a sign that Hollywood at large has caught up to the cult director’s anarchic vision. Forty years into his career, we still want Araki’s sex: the film is set to reach the director’s biggest audience to date, opening to 700 US screens this week, a stunning figure for an independent film and a wider opening than recent films by indie veterans like Nicolas Winding Refn and Jim Jarmusch. Continue reading...
Christopher Nolan’s smash hit epic has continued to excite and enrage everyone from rightwingers to academics, an old-fashioned throwback to a uniting big-screen event Peter Bradshaw reviews The Odyssey The Odyssey: jaw-dropping action, dark magic and dolphin cameos – discuss with spoilers Go woke, get rich: why rightwing hate campaigns don’t affect the box office If a high-profile academic is reviewing a movie for the London Review of Books, that movie in question must be making some kind of mark on some kind of culture. And if people are actually reading a movie review in the London Review of Books, and writing thinkpieces in disagreement or favor of said movie or its review, that movie may actually be a cultural phenomenon. Normally, volume of discourse about a movie should not be mistaken for a sign that people are actually seeing it. Sometimes online factions just have a bored fixation not shared by the rest of the world. But Christopher Nolan’s The Odyssey has some major receipts at the box office, too: the movie has already outgrossed Oppenheimer, Nolan’s last movie, itself a shockingly popular movie for adults. Though The Odyssey’s audience skewed male in its first weekend, by its second its gender split was closer to 50/50, suggesting reach beyond the stereotypically male-driven action-adventures. It’s also reaching out to older moviegoers, an endangered demographic in a summer where under-25s have driven the success of Obsession and Backrooms. Three-quarters of The Odyssey’s audience has been over 25, while memes inspired by the movie (most popular: Matt Damon’s anguished face portraying Odysseus listening to the sirens’ song and Robert Pattinson’s slimy suitor demanding that “someone get these BEGGARS out of here!”) have indicated that younger people are…
The UK band is told not to return to the city-state after shouting "free Palestine" at a gig on Wednesday.