Two minutes and thirty seconds into the title track of Rachika Nayar's Heaven Come Crashing, an absolutely massive drum and bass beat drops. As a fan of Nayar's debut record Our Hands Against The Dusk, it caught me off guard. That album has no percussion on it at all. Heaven Comes Crashing is almost entirely drum-free, too. There are some rapid-fire mechanical hi-hats on the second track, "Tetramorph," and the back half of track six, "Gayatri," has what sounds like a snare buried deep in the mix. But it isn't until track seven that Nayar delivers an unexpected drum explosion, before immediately retreating to the soothing wash of "Sleepless," … Read the full story at The Verge.
The long-running series in which readers answer other readers’ questions commits the cash and presses the buttons on a vital consumer dilemma Read this week’s replies: What is the true Breakfast of Champions? I’ve heard that in Germany you can buy sausages in vending machines. What should be sold in machines that isn’t offered at the moment? Sybil Freestone, Oregon Post your answers (and new questions) below or send them to nq@theguardian.com. A selection will be published next Sunday. Continue reading...