​What makes a good comic novel? Andrew Sean Greer on the joy of funny writing

The Pulitzer-winning author of Less and Villa Coco explores the art of writing humour – plus 10 of the best novels to make you laugh

In March 2020, when the mayor of San Francisco instructed all citizens to remain in their houses due to a pandemic, the first thing I did was order all the books of Agatha Christie. I was not alone; I think many of us immersed ourselves in reliable narratives to drown out the chaos. It did not matter if it ended in marriage or murder; the reliability was what mattered. Later when I realised I would need to hole up for some time, my reading shifted to a different kind of novel. And because, like Christie, our world has an endless supply of new terrors, it is the comic novel that still fills my reading hours.

Nobody knows what a comic novel is. And once you start discussing it, all the fun runs out. EB White compared it to dissecting a frog (you’re left with innards and a dead frog) but I would compare it to turning all the lights on at a party: everyone looks terrible and you’ve ruined the party. Most would agree, of course, that Wodehouse wrote comic novels, but I turn to books hardly anybody would classify that way – Moby-Dick by Herman Melville, for instance – that yet seem to me to be a hoot. I think they are books that decide something is funny, as Jerry Seinfeld once defined comedy. In Moby-Dick, it’s a coin nailed to a masthead. In Vladimir Nabokov’s Pale Fire, it’s the worst best poem you’ve ever read. And yet we feel we’re getting at something the most solemn narratives aim for: an understanding of the human condition, of grief, of love, of death. All the big stuff. The comic novels I love are books that could just as easily have been tragedies. It is simply that the author has decided it’s funny.